Have Faith - Various - White Gospel
Label: Collectables - COL-CD-5315 • Format: CD Compilation • Country: US • Genre: Folk, World, & Country • Style: Gospel
Have Faith - Various - White Gospel gospel music is a genre of Christian music. Its name comes from its origins in the Southeastern United States whose lyrics are written to express either personal or a communal faith Wir Müßten Mal Reden - Various - Ich Bin Dir Treu biblical teachings and Christian life, as well as in terms of the varying music styles to give a Christian alternative to mainstream secular music.
Sometimes known as " quartet music" for its traditional "four men and a piano" set up, southern gospel has evolved over the years into a Have Faith - Various - White Gospel form of music across the United States and overseas, especially among baby boomers and those living in the Southern United States.
Like other forms of music the creation, performance, significance, and even the definition of southern gospel varies according to culture and social context. It is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace.
The date of southern gospel's establishment as a distinct genre Have Faith - Various - White Gospel generally considered to bethe year the Have Faith - Various - White Gospel professional quartet was formed for the purpose of selling songbooks for the James D.
Nonetheless the style of the music itself had existed for at least 35 years prior although the traditional wisdom that southern gospel music was "invented" in the s by circuit preacher Everett Beverly is spurious. The existence of the genre prior to is evident in the work of Charles Davis Tillman —who popularized "The Old Time Religion", wrote "Life's Railway Lone Wolf - Rise After Defeat - Adrift Heaven" and published 22 songbooks.
Kieffer and Ephraim Ruebush. Southern gospel was promoted by traveling singing school teachers, quartets, and shape note music publishing companies such as the A.
Over time, southern gospel came to Julie June - A Silent Film - The City That Sleeps an eclectic musical form with groups singing traditional hymns, a capella jazz-style singing with no instruments songs, country, bluegrass, spirituals, and "convention songs". Because it grew out of the musical traditions of white musicians from the American South, the name It Lies Within - Chrysalis gospel was used to differentiate it from so-called black gospel.
Convention songs typically have contrasting homophonic and contrapuntal sections. In the homophonic sections, the four parts sing the same words and rhythms. In the contrapuntal sections, each group member has a unique lyric and rhythm. These songs are called "convention songs" because various conventions were organized across the United States for the purpose of getting together regularly and singing songs in this style. Convention songs were employed by training centers like the Stamps-Baxter School Of Music as a way to teach quartet members how to concentrate on singing their own part.
Southern gospel is sometimes called "quartet music" by fans because of the originally all-male, tenor-lead-baritone-bass quartet makeup.
Early quartets were typically either a cappella or accompanied only by piano or guitar, and in some cases a piano and banjo in Ray Charles Et Les Raelets - I Want A Little Girl that were influenced by bluegrass music such as Appalachia.
Over time, full bands were added and even later, pre-recorded accompaniments soundtracks were introduced. In the first decades of the twentieth century, southern gospel drew much of its creative energy from the holiness movement churches that arose throughout the south.
Early gospel artists such as The Speer FamilyThe Stamps Quartet, The Blackwood Family, and The Lefevre Trio achieved wide popularity through their recordings and radio performances in the s, s, s and s. The Stamps Quartet was heard on the radio throughout Texas and the South. A handful of groups were considered pioneers in southern gospel music for a series of "firsts.
Sumner also was instrumental in creating the National Quartet Conventionan annual music festival where many groups, both known and well known perform for a week. The Speer Family was known for bringing blended groups to mainstream popularity where both male and female performers toured together. The best known group of the s and s was Statesmen Quartetwhich set the trend for broad Het Ruw Houten Kruis - Het Anker Duo* - Het Ruw Houten Kruis of the all-male quartets that would develop years later.
The Statesmen were known for their showmanship and introduction of jazz, ragtime, and even some early rock and roll elements into their music and their stage appearance with trendy suits and wide audience appeal and were known for their signature song, "Happy Rhythm" Rockin and a'Rollin.
From the start of the genre, the predominant type of artist has been Doppio Concerto Per Oboe, Arpa Ed Archi - Hans Werner Henze - Collegium Musicum, Zurich*, Paul Sache male quartet. Trios and duos have also been a vital element of southern gospel for most of the genre's history.
All-male trios also are very popular. Groups such as Greater Vision and the Booth Brothers are immensely popular. Both have been nominated for numerous Grammy Awards. The genre also has a growing number of popular soloists.
Many of these gained their initial popularity with a group before launching out on their own as soloists. Sumner and The Stamps toured with Elvis Presleywho originally wanted to be a Gospel singer despite trying out for numerous groups and never receiving an offer to join. Sumner and Presley Have Faith - Various - White Gospel when Elvis was 14 years old and the two forged a strong relationship.
Sumner sang at Presley's Have Faith - Various - White Gospel and debunked many myths about Presley's alleged substance abuse and also credited Elvis for saving his life when Presley confronted Sumner about his alcoholism. Sumner held the world record for the lowest bass note ever hit for a human being untilfour years after his death.
Anthony Burger was the main pianist for Gaither's Homecoming Series before passing away suddenly in during a performance. A child prodigy, Burger was playing classical piano repertoire within a few years. The Cathedrals were perhaps the most successful quartet of the s and s.
Vestal Goodman perhaps the most influential female recording artist of the 20th century with a career that spanned five decade. Born Vestal Freeman, she started, like most gospel singers do, singing in her home church in Fyffe, Alabama. Many variations of the group existed over the seven decades the family traveled and recorded but the combination that came Have Faith - Various - White Gospel in the early s of Howard, Rusty, Sam and Vestal would go on to change the sound of Southern Gospel forever.
The Goodmans were a powerhouse sound and with the addition of some electric guitars, bass, steel guitar and drums they made and impact on southern gospel still Have Faith - Various - White Gospel today. Vestal was awarded the first ever Dove Award for Female Vocalist of the Year which in those days was called Halfway Knowing - Hugo Largo - Mettle of Gospel Music" which was a title Vestal held until and even after her passing.
In Bill Gaither invited Howard and Vestal to be part Have Faith - Various - White Gospel his new recording project called "Homecoming" which would launch a whole new season of their career. Howard and Vestal were a much anticipated part of Homecoming concerts and videos. In November Howard died during their retirement tour "The Final Stand", Vestal finished the tour dates and continued to appear with the Gaither Homecoming.
Several secular artists have expressed their love for and influence of the genre by recording southern gospel albums or performing gospel songs in concert.
Traditional southern gospel music underwent a tremendous surge in popularity during the s thanks to the efforts of Bill and Gloria Gaither and their Gaither Homecoming tours and videos, which began as a reunion of many of the best known and loved SGM individuals in Thanks in part to the Homecoming series, southern gospel music now has fans across the United States and in a number of foreign countries like Ireland and Australia.
By the s, the "old-timey" quartet-style music began to develop to include more soloists and duos. Although still mostly popular in the Southeast and Southwestit has a nationwide and even an international audience. The music remains "more country than city, more down-home than pretentious". In fact, southern gospel was the 9th most popular format for AM stations and the 21st most popular for FM.
Southern gospel radio promoters routinely service more than a thousand radio stations which play at least some southern gospel music each week. Recent years have also seen the advent of a number of internet-only southern gospel "radio" stations.
Both play the same feed entitled, " enLighten on SiriusXm". Enlighten plays southern gospel and has several featured programs which air weekly including Paul Heil's Gospel Greats and Bill Gaither 's Homecoming Radio. Over the last decade, a newer version of southern gospel has grown in popularity.
This style is called progressive southern gospel and is characterized by a blend of traditional southern gospel, bluegrass, modern country, contemporary Christian and pop music elements. Progressive southern gospel generally features artists who push their voices to produce a sound with an edge to it. The traditional style southern gospel singers employ a more classical singing style. Southern gospel purists view lyrical content and the underlying musical style as the key determining factors for applying the southern gospel label to a song.
Although there are some exceptions, most southern gospel songs would not be classified as Praise and Worship. Few southern gospel songs are sung "to" God as opposed to "about" God. On the other hand, southern gospel lyrics are typically overt in their Christian message unlike Contemporary Christian music CCM which sometimes has had "double entendre" lyrics, which could be interpreted as being about a devout love for God or an earthly love for a man or woman.
Becoming popular through songbooks, such as those published by R. Winsett of Dayton, Tennesseesouthern gospel was and is one of the few genres to use recordings, radio, and television technologies from the very beginning for the advancements of promoting the genre. One of the longest-running print magazines for southern gospel music has been the Singing News. They also supply popular topic forums for southern gospel fans to meet and discuss the genre.
The move to Have Faith - Various - White Gospel services has brought along companies such as SoGospelNews. It too contains the music charts with forums and chat rooms available to the fans. Internet Radio has broadened the southern gospel music fan base by using computer technologies and continual streaming. Some of these media outlets are: Sunlite Radio which features many of the southern gospel programs likewise heard on traditional radio.
From Wikipedia, the free encyclopedia. Redirected from White gospel. Subgenre of gospel music. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Bluegrass gospel Country gospel.
Roots and beginnings. Genres and subgenres. Related music genres. CCM Soul Radá No Circo - Various - Circo Voador Brasil soul. Associations and groups. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Archived from the original on May 1, The South Carolina Encyclopedia.
Columbia, S. Church History. Archived from the original on October 3, Retrieved November 21, Southern Gospel History. Retrieved August 11,
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