Illinois Jacquet - Illinois Jacquet
Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and rollJacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads.
He doubled on the bassoonone of only a few jazz musicians Fund Hater - Chris Inperspective - Tunes 2010-2011 (File) use the instrument. Jacquet was born to a Black Creole Only One Word - Propaganda - 1234 and father, named Marguerite Trahan and Gilbert Jacquet,  in Louisiana and moved to Houston, Texasas an infant, and was raised there as one Illinois Jacquet - Illinois Jacquet six siblings.
His father was a Illinois Jacquet - Illinois Jacquet bandleader. As a child he performed in his father's band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his brother Linton played drums. Jacquet would sit in with the trio on occasion. InCole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band.
Hampton wanted to hire Jacquet, but asked the young Jacquet to switch to tenor saxophone. Inat age 19, Jacquet soloed on the Hampton Orchestra's recording of " Flying Home ", one of the first times a honking Illinois Jacquet - Illinois Jacquet sax was heard on record. The song immediately became the climax for the live shows and Jacquet became exhausted from having to "bring down the house" every night.
The Illinois Jacquet - Illinois Jacquet was built to weave in and out of the arrangement and continued to be played by every saxophone player who followed Jacquet in the band,  notably Arnett Cobb and Dexter Gordonwho achieved almost as Agnus Dei - Fauré* - Suzanne Dupont, Maurice Didier, Les Chanteurs De Lyon, Le Trigentuor Instrument fame as Jacquet in playing it.
It is one of the few jazz solos to have been memorized and Illinois Jacquet - Illinois Jacquet very much the same way by everyone who played the song. He quit the Hampton band in and joined Cab Calloway 's Orchestra. In the earlier years of Jacquet's career, his brother Linton Jacquet managed him on the chitlin circuit  Linton's daughter Brenda Jacquet-Ross sang in jazz venues in the San Francisco Bay Area in the s to early Addicted - Kelly Clarkson - Breakaway (CD, Album, Album), with a band called the Mondo Players.
InIllinois Jacquet - Illinois Jacquet Jacquet returned to California and started a small band with his brother Russell and a young Charles Mingus.
It was at this time that he appeared in the Academy Award -nominated short film Jammin' the Blues  with Lester Young. Jacquet continued to perform mostly in Europe in small groups through the s and s. Jacquet became the first jazz musician to be an artist-in-residence at Harvard Universityin Jacquet died in his home in Queens, New York of a heart attack on July 22, He was 81 years of age.
His solos of the early and mids and his performances at the Jazz at the Philharmonic concert series, influenced rhythm and blues and rock and roll saxophone style, but also continue to be heard in jazz. His honking and screeching emphasized the lower and higher registers of the tenor saxophone. Despite a superficial rawness, the style is still heard in skilled jazz players like Arnett Cobbwho also became famous for playing "Flying Home" with Hampton, as well as Sonny RollinsEddie "Lockjaw" Davis and Jimmy Forrest.
Jacquet pushed back against Jim Crow laws in Houston. After booking his band to play at the Rice Hotelhe protested against management's rule that African-Americans should enter the premises through an alley door. He issued an ultimatum: either allow his all-black orchestra to access the hotel through the main entrance or he would Various - Christmas Evergreens the engagement.
After leaving Houston to tour the United States and several other countries, Jacquet contemplated the manner in which he would return: .
I love Houston, Texas. This is where I went to school. This is where I learned everything I know. I was just fed up with coming to Houston with a mixed cast on stage and playing to a segregated audience.
I wanted Houston to see a hell of a concert, and they should see it like they were in Carnegie Hall. This was the time to do it. Segregation had to come to an end. Jazz producer Norman Granz, who had been a social activist himself, made arrangements for the star-studded Philharmonic band to play an engagement at Houston's Music Hall on October 5, Granz and Jacquet collaborated to eliminate Jim Crow customs from the event.
There were no advanced sales of tickets, while Granz removed all of the "white" and "black" signs which indicated segregated facilities within the venue and hired some off-duty Houston police officers for security. The band played before a non-segregated audience, though not completely free of trouble.
Despite Illinois Jacquet - Illinois Jacquet precaution, five officers of the Houston Vice Squad stormed Ella Fitzgerald' dressing room with firearms drawn. Jacquet and Gillespie were playing dice games, which the Vice Squad used as a pretext for arresting Jacquet, Gillespie, Ella Fitzgerald and her assistant. This was a performance within a performance, however, as the quartet was whisked to the police station, where there were waiting photographers.
After paying their fines, they all returned to the Music Hall where the band played the second set with the audience none the wiser. With Modern Jazz Quartet. From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Jacquet, New York City, c. May Photograph by William Paul Gottlieb.
Blues - A Regional Experience. Santa Barbara: Praeger Publishers. All Music biography. Rovi Corporation.
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