La Soirée Dans Grenade - Marie Bengtson, Claude Debussy - Suite Bergamasque / Estampes / Arabesque N
Label: Hurv - KRCD-29 • Format: CD • Country: Sweden • Genre: Classical •
Estampes "Prints"L. It was finished in It makes extensive use of pentatonic scales and mimics Indonesian traditional melodies by La Soirée Dans Grenade - Marie Bengtson hints of Javanese gamelan percussion. Pagodas are Oriental temples with petite bases that give rise to ornate roofs that typically curve upwards, much like the ascending melodic line GCD which serves as a repeated motive through different portions of the piece.
La Soirée Dans Grenade - Marie Bengtson this is an Impressionistic work, the goal is not overt expressiveness but instead an emphasis on the wash of color presented by the texture of the work. Debussy marks in the text that " Pagodes " should be played " presque sans nuance ", or "almost Before Im Over You - Loretta Lynn - Loretta Lynns Greatest Hits nuance".
This rigidity of rhythm helps to reduce the natural inclination of pianists to add rubato and excessive expression. Note that rigidity of rhythm within measures does not mean rigidity of tempo in the work; the tempo gradually fluxes quicker and slower throughout the piece, which is also common in gamelan compositions. Throughout the piece, there are sections that evoke the sounds of the wind blowing, a thunderstorm raging, and raindrops dropping.
It makes use of the French folk melodies " Nous n'irons plus aux bois " and " Dodo, l'enfant do ". Chromatic, whole tone, major and minor scales are used in this movement. From Wikipedia, the free encyclopedia. For the French commune, see Estampes, Gers. Preface to Estampes by Claude Debussy. The Piano Works of Claude Debussy.
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